Dear Friends, I painted on my rose floral this morning but did not finish it. I have actually been on an emotional roller coaster today as my son, John, packed his belongings into his car and headed off to Austin where he starts his first real job tomorrow morning as a recent computer science graduate. He has a bright future ahead of him and I'm so happy for him. I helped him pack. Then we waved him away. Then this sadness came. For those of you that have also done this, you understand......... and I know it will pass.He's left before many times, but that was different. Somehow this time seems final even though I know he'll be back to visit and he isn't that far away. (thank goodness)
I have actually waved 3 others goodbye. What is it though, about the last one? Many things I suppose that I won't go into further. But it reminded me of the song that we sing this time of year so I leave you with the words and a posting of a painting from 2011. I'll finish my roses tomorrow - I am taking it slow but still trying to keep it fresh and loose-and will post it for you then. In the meantime, here is a painting from 2011 and a note below about my green mixing theory....for what it's worth. Thanks as always for stopping by!
|"New Year's Gift"|
PS Thanks so much to Dana for leaving that nice comment. Dana, For my greens, I usually always mix them from Ultramarine Blue and the yellows-I mix it up. Ultramarine and Indian Yellow makes a wonderful dark, transparent olive green that is so common in earthy greens in nature (I think.). Then I lighten with one of my cad yellows on my palette. The Rembrandt Cad Yellow light mixture makes a nice middle green depending on how much yellow you use. The lemon makes a really nice cooler green-then I modify with white, adding more yellow or blue back in to get the color I need. I hope this makes sense...
I sometime alternate Indian Yellow with a Gamblin Transparent Orange which, with blue makes an ever darker olive green. The inner most parts of foliage sometimes has this olive, earth green. I also alternate my blues at times and use cobalt instead of the Ultramarine when making greens. Richard Schmid suggests making color charts with all the colors on the palette that you like so that you know ahead of time what they are going to look like when you need them. You can find this info in his book, "Alla Prima, Everything I know about Painting" which you can purchase off his website at www.RichardSchmid.com.
About Auld Lang Syne According to Wikepedia:
The song's Scots title may be translated into English literally as "old long since", or more idiomatically, "long long ago", "days gone by" or "old times". Consequently "For auld lang syne", as it appears in the first line of the chorus, is loosely translated as "for (the sake of) old times".
The James Watson version, 1711
Should Old Acquaintance be forgot, and never thought upon;
The flames of Love extinguished, and fully past and gone: Is thy sweet Heart now grown so cold,
that loving Breast of thine;
That thou canst never once reflect on Old long syne.
My Heart is ravisht with delight,
when thee I think upon;
All Grief and Sorrow takes the flight,
and speedily is gone;
The bright resemblance of thy Face,
so fills this, Heart of mine;
That Force nor Fate can me displease,
for Old long syne.
Since thoughts of thee doth banish grief,
when from thee I am gone;
will not thy presence yield relief,
to this sad Heart of mine:
Why doth thy presence me defeat,
with excellence divine?
Especially when I reflect
on Old long syne